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Advocacy Collective Claims to Have Scraped Millions of Music Tracks from Spotify

A digital rights group has claimed to have scraped a vast number of tracks from Spotify and is getting ready to publish them online.

Potential Impetus for AI Development

Observers noted the seeming data breach could aid artificial intelligence firms searching for data to train their models.

A group known as Anna’s Archive said it had obtained 86 million audio tracks from Spotify and 256 million rows of associated data such as artist and album names. Spotify, which carries more than 100 million tracks, confirmed that the leak did not represent its entire inventory.

“We have identified and deactivated the nefarious user accounts that were involved in unlawful scraping,” stated a company spokesperson.

The Stockholm-based service, which has more than 700 million users worldwide, added that an inquiry into unauthorised access found a third party scraped public metadata and used questionable tactics to circumvent DRM [digital rights management].

Archive's Declared Goal and Concerns

The streaming service does not think the music taken by Anna’s Archive has been released yet. Anna’s Archive, which is recognized for providing links to copyright-infringing books, wrote in a blog it wanted to create a ‘historical repository’ for music.

The group claimed the audio files accounted for 99.6% of all music streamed to by Spotify users and would be distributed via ‘peer-to-peer networks’, a means of exchanging large data files online.

“Naturally Spotify doesn’t have all the music in the world, but it’s a fantastic start,” said Anna’s Archive, which describes its mission as “preserving humanity’s knowledge and heritage”.

AI Training and Copyright Battleground

Ed Newton-Rex for protecting artists’ rights, remarked the leaked music would probably be used for training artificial intelligence systems.

“Educating models on illegally sourced material is unfortunately widespread in the AI industry, so this accessed music is highly likely to end up training AI models,” he stated.

The Anna’s Archive site makes references to LibGen, a vast online repository of pirated books that has reportedly been leveraged by Meta to train its AI models.

A founder of an AI startup posted on the professional network that members of the public could in theory “create their own private free version of the service”. The executive added it could also allow technology firms to “educate models on contemporary music at scale”.

Copyright has become a battleground between artists, authors and content creators on one side and AI companies on the other.

Policy Proposals and Reactions

In the UK, creative professionals have raised concerns against a government suggestion to let AI companies utilize copyright-protected work without consent unless the owner signals. Virtually every participant to a government call for evidence on the proposal has backed artists’ concerns.

The secretary of state for technology, research and development told parliament this month there was “little consensus” on the issue, adding that ministers would “use the time to get this right”. The administration has pledged to make policy proposals on AI and copyright by March 2025.

The writer

Kimberly Wilson

Marcus Thorne is a certified home inspector with over a decade of experience, specializing in residential property evaluations and client education.

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